KINGS WATCH No. 5, January 2014 |
Spookily I only purchased this edition with the “exclusive subscription
cover” by Ramon K. Perez because it was simply cheaper than the infinitely
superior Marc Laming and Adam Street main cover. However what it lacks in
dynamism it more than makes up for in solemnity, and therefore seems a far more
fitting illustration to open the grim conclusion of this five-issue
mini-series.
Writer Jeff Parker somewhat eases off the gas with this final
chapter of his ‘Mongo invades the Earth’ storyline, but there’s a genuine
reason as to why the action is not as grand-in-scale as its predecessor. It’s
because it allows the Oregon-based author to instead concentrate on the
character of The Phantom, and provide an abbreviated history as to how the
role’s modern-day incumbent came to wear the mask. These scenes between ‘The
Man Who Cannot Die” and Lothar become extremely poignant later on, and worth
re-reading as a result, because Parker kills The Phantom off in a final noble
sacrifice at the conclusion of Mandrake’s confrontation with The Cobra… and the
Magician’s crime-fighting friend then dons the mask himself (presumably as the
twenty-second Phantom).
Indeed although much of this issue is about endings,
such as the death of The Cobra and an end to Ming’s invasion plans following
the demise of his amphibian army, it is also about establishing new beginnings.
Flash Gordon, Dale and Zarkov fly through the Earth’s gateway in order to ensure
it’s ‘permanently closed’ and thus begin their adventures on Mongo thwarting
the machinations of the Emperor Ming. Whilst Mandrake, having recovered from
Cobra’s venom ring, appears to establish a new triumvirate to defend the
Earth with himself, Karma and The (new) Phantom. Even The Cobra has a successor
to take his place as the head of the secret cult in Mandrake's (estranged) wife, Narda.
All of these events are
competently illustrated by artist Marc Laming and colorist Jordan Boyd, with a
full-page panel showing The Phantom killing a “Little Shop of Horrors” Audrey II wannabe
with a bazooka, and Lothar turning the five-hundred year-old pages of the first
Phantom’s journal being particular highlights.
Sadly the only real negative to
the proceedings is the creative team’s depiction of The Phantom’s demise. The
pencil work of Laming is strong enough but whereas The Cobra is shown
colourfully burning alive, ‘The Ghost Who Walks’ is illustrated on his knees
with little to no colour being used in order to portray a blindingly white
energy effect. Personally this makes the artwork of the large panel simply
appear unfinished…
The regular cover art of "KINGS WATCH" No. 5 by Marc Laming and Adam Street |
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