SAVAGE HULK No. 1, August 2014 |
There aren’t many combined writer/artists whose work will
immediately entice me to blindly purchase a comic book. As my collection of
“Kamandi” attests, Jack “King” Kirby is one, and “Alpha Flight” creator John
Byrne is another. Alan Davis is actually a third, which caused me to snatch up
this particular (first) issue of “Savage Hulk” without a moment’s pause. And
why not when the Englishman has drawn a cracking cover depicting a rampaging
Hulk scattering various members of the original “X-Men”. Indeed Davis’
illustration really captures that classic late Sixties “Marvel Comics Group”
era depicting the green-skinned alter ego of Bruce Banner in his infamous torn
purple trousers.
This is no surprise however as the writer has taken the
somewhat unusual step of this making this edition a direct follow-on to the
March 1970 “X-Men” story “The Mutants and the Monster”. As a result, the
storyline to “The Man Within” takes up where the last issue of “X-Men” finished
before the mutant super-hero group’s comic book became just a reprint title. On the
face of it this probably seemed a good decision, hopefully tapping into a
generation of readers who long to hark back to the simpler days of when Stan
Lee was the publishing company's Editor-in-Chief. However the exploits of Cyclops, Marvel Girl, Iceman
and the other X-Men were clearly cancelled at this point in their adventures for a reason and Davis’ attempt to
continue their 'journey' struggles as a result.
In fact little of actual
interest takes place within this comic, besides the Hulk
destroying a missile launcher with a large boulder, until the issue’s very last
page when the Abomination literally leaps into the proceedings. Up until this
point however, all that happens is Professor Xavier provides the reader with
some amazingly convoluted scientific explanations as to how he’ll be able to cure
Doctor Banner of his gamma curse using a mental exhaustion
device.
What this comic book does provide however is some superb drawings of
the incredible Hulk by Alan Davis, as the monster battles a swarm of dual
thrust supersonic rockets. The artist captures all the action in a series of
panels which are superbly inked by Mark Farmer and coloured by Matt
Hollingsworth. There’s also some of the best sketches of the Hulk coming to
rest and returning to his human form that I have ever seen. The peaceful, almost
childlike expression on the monster’s face as he stares at a breath-taking
‘photorealistic’ rendering of the night sky is simply stunning. It is therefore
a pity that later, when Davis pencils the start of the reverse transformation process, that
his drawing of Doctor Banner physically becoming the Hulk is disappointingly poor and
greatly at odds with the quality of his work throughout the rest of the book.
The variant cover art of "SAVAGE HULK" No. 1 by Alex Ross |
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