FUTURE IMPERFECT No. 2, September 2015 |
Despite the end result usually favouring the green-skinned
gamma giant, fans of both the Incredible Hulk and The Thing have continually
clamoured for the pair to ‘slug it out’ with one another ever since their
classic 1963 punch-up within the pages of Issue Twelve of “Fantastic Four”.
This particular “Secret Wars” confrontation however comes with something of a
twist as writer Peter David not only reimagines Bruce Banner’s alter-ego as the
murderously-maniacal Maestro for the ten-page bout of pugilism. But also alters
the persona of the orange rock-covered human mutate from that of Ben Grimm into
Major Thaddeus “Thunderbolt” Ross; an Air Force orbital pilot who was
transformed by cosmic rays during a test flight.
Such a disconcerting “Marvel Worldwide” modification
doubtless may well have upset the ‘purist’ element of this title’s 47,944
strong audience. Yet it also rather cleverly creates a considerable amount of
uncertainty in the narrative’s proceedings, especially when the Thing catches
the tyrant off-guard with a formidable left swing and drop kicks the malevolent
ruler into a nearby multi-rise building. Sadly however the Wizard Fan
award-winner’s storyline does not permit such ambiguity for too long and the “Lord
Baron Maestro” soon seemingly effortlessly batters “the leader of the
anti-Maestro revolt” into unconsciousness; “Get a cart. Strap him in and bring
him back to the castle.”
Equally as enthralling a read as this comic’s "monster smash" is the American author’s wonderfully scripted flashback sequence depicting Glen
Talbot and Major Ross’ tragically flawed attempt to beat “the Russkies to
space… before the Air Force”. David’s five-panel long conversation between the
two tense pilots is delightfully prickly, with the senior officer even
reminding his subordinate that they “aren’t on a first name basis” and really
helps reinforce the hard-nosed determination to do his duty which Thaddeus’
character is famous for.
Greg Land’s pencilling is also rather pleasing to the eye, even
if his design of the Maestro’s emerald-armoured rifle-carrying “cavalry” aren’t
terribly impressive-looking and seem far more suited to an appearance in one of
L. Frank Baum’s “Wizard Of Oz” novels than a supposedly serious comic book story
of human suffering and oppression.
The variant cover art of "FUTURE IMPERFECT" No. 2 by Rafa Garres |
Everyone love a punch up between the thing and the hulk (even if the wrong one always seems to win!).
ReplyDeleteCheers Roger.
Cheers Roger. I thought this particular issue would attract your attention :-)
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