THE WALKING DEAD No. 128, June 2014 |
Up until its depiction of Ken and Marco encountering several
zombies “somewhere in the woods outside the Hilltop Colony” mid-way through its
narrative, this second instalment of the story-arc “A New Beginning” appears to
struggle to portray anything even remotely interesting to anyone but the most
die-hard of “The Walking Dead” fans, with its unglamorous emphasis upon Eugene
Porter’s failing relationship with Rosita, Carl’s ever-improving wood-whittling
skills and Olivia’s “amazing” ability to bake loaves of bread. In fact it is
genuinely hard to imagine a more mundane series of scenes with which to greet this
“horror” comic book’s 74,326 readers, especially as Robert Kirkman’s tale then
‘trumps’ them all by dedicating five whole panels of the book to the ‘Head of
the Ammo Crew’ simply walking into his empty home; “You here?”
Fortunately, as aforementioned, the sheer tedium of so stultifying
a script is eventually broken by the sudden (and most welcome) appearance of a
horde of carnivorous cadavers and the prospect of one of them devouring a somewhat
reckless horse wrangler and his ride. Packed full of suspense despite being a
somewhat brief encounter, this five-page return to the sort of
action which has made the Richmond-born writer’s title enjoy such international
success, genuinely brings home just how dangerous a place this post-apocalypse
world is. For one moment the duo are driving their steeds onwards in the hope
of heading off some wild horses “before they break away”, and then with just
the turn of a page, the humans are knee-deep in the living dead with Ken pinned
beneath his mare looking straight into the ghoulish eyes of a zombie as it
struggles to crawl towards him moaning “Grarr!”
Disappointingly however, such a well-scribed piece of drama
is dishearteningly short-lived and all too-soon the “Image Comics” partner has
once again slowed the pace of his story-telling down to a snail’s crawl with the
wearisome worries of a full-bearded Rick Grimes and the adolescent angst of the
former police deputy’s frustrated son.
Such a sluggish chain of events is arguably made even
more dissatisfying an experience by Charlie Adlard’s seemingly desperate
determination to ‘pad out’ his page-count for this book. Admittedly the British
artist’s full-on splash of Ken inadvertently riding his horse into the ground
as it careers into a forest full of zombies proves to be the highlight of this
magazine, and certainly does an incredible job of capturing one’s attention. But
that doesn’t excuse the penciller utilizing a similar-sized single-panel to depict Alexandria’s windmill, nor the double-spread of a despairing Negan
hammering the wall of his cell…
Writer: Robert Kirkman, Penciller: Charlie Adlard, and Inker: Stefano Gaudiano |
Boy, oh boy, the pace has really slowed down in this series. Whilst the TV series is going from strength to strength the comic series is doing the opposite. Be warned, Simon, it does get any better in the following issues.
ReplyDeleteCheers Bryan - I think!?! I genuinely couldn't believe I was reading a comic about someone baking bread... and then it got worse by spending an entire page showing someone coming into an empty house... Fortunately I have since dropped this title, so I've just a few more issues to go before finishing these reviews. Although I have purchased a couple of back issues in order to pop back in time to see what occurred before "All Out War".
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