UBER No. 15, June 2014 |
There’s certainly plenty of pulse-pounding “alternate World
War Two” action to enjoy with Issue Fifteen of “Uber”. For as creator Kieron Gillen
himself notes in the comic’s afterword, this edition finally reveals “what
actually happened when Sieglinde tried to leave London” after “three months of
dancing around” the German superhuman soldier’s fate and as a result depicts a
genuinely awe-inspiring naval battle off the beach at Southend-on-Sea between
the “Home Fleet” and the Kriegsmarine.
Indeed the British author’s narrative must have proved an
absolute delight to its 7,456 upon its publication in July 2014, as from the
very first page all attention is focussed upon the fast-fatiguing assassin of
Winston Churchill and her desperate bid to reach the seaside resort’s iconic
pier. Rifle-toting Tommy Atkins, the Home Guard and two cruisers, a battleship
and an “amount of destroyers” are all wantonly thrown at the flagging
blonde-haired powerhouse in a desperate bid to establish whether “the greater
destructive potential of a ship’s canons might be able” to “affect a
battleship-class enhanced human”… And for a brief moment it actually appears as
if both the stout late Prime Minister and the long-dead HMH Colossus will finally
be avenged.
Ingeniously however, any such wishful thinking is soon ‘put
to bed’ by the former music journalist’s “big… introduction of the Blitzmensch”;
a somewhat gangly feral-looking armoured German soldier whose enhanced Halo
effect is twice those of an ordinary Panzermensch. These ‘bullet-headed’
warriors, positioned at the prow of a handful of gunboats, easily slice through
the hulls of the ships harassing Klaudia and frustratingly allow the battered
and bruised Ubermensch to safely evacuate the English estuary on board a
U-boat, whilst also “causing enormous material losses to the Home Fleet.”
Equally as exciting as the “fragile” S-boats’ “successful
raid” is the artwork of Daniel Gete, who finally “joins us in the main book”
having illustrated “the Siegmund short story” in the title's March 2014 special annual. Described
by Gillen as someone whose “clear-lined thoroughness gives Uber a completely
different feel to Caanan’s energy and rage or Gabriel’s classic realist
elegance”, the “Logan’s Run” penciller really does an outstanding job of
depicting the sheer ferocity and power of the sea battle, and even manages to
give a cheeky nod to the fictional “Dad’s Army” of Walmington-on-Sea courtesy
of a cameo by Captain Mainwaring.
The variant cover art of "UBER" No. 15 by Daniel Gete |
Quote: "There’s certainly plenty of pulse-pounding “alternate World War Two” action to enjoy with Issue Fifteen of “Uber”.
ReplyDeleteAbsolutely spot on, Simon. I loved the blink and you'll miss it cameo by Captain Mainwaring, which was so unexpected. Klaudia is certainly one tough bitch. Who will ever stop her? Unlike The Walking Dead this series is definitely going from strength to strength. You have a lot to look forward to, my friend!
Many thanks Bryan. This certainly contains one of my fave battles to date and Daniel Gete does a terrific job with the artwork. I did think the book somewhat petered out once the fight was over. But it crammed an awful lot of explosions into its opening two-thirds :-)
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