BATMAN No. 35, December 2014 |
On the face of things it is not hard to see how Issue Thirty
Five of “Batman” sold a staggering 118,860 copies in October 2014. Greg
Capullo’s regular cover illustration alone promises that Scott Snyder’s interior
“Endgame” narrative will involve the Dark Knight confronting perhaps his
greatest and most exciting threat ever in the shape of the vigilante's fellow Justice League of America
members… And any casual flick through the comic would certainly confirm
such a mouth-watering slugfest actually takes place as Bruce Wayne “enact(s)
plan ‘Fenrir’” and dons an incredibly impressive-looking armoured suit which
has been specifically “designed for war. With the most powerful heroes on the
planet.”
Indeed the opening half of this thirty-page periodical is
dominated by the Caped Crusader outmanoeuvring Wonder Woman, the Flash and
Aquaman by utilising a genuinely innovative array of devices such as powdered
magnesium carbonate foam, frictionless coatings and the “bind of veils”; the
latter being a relic “woven by Hephaestus in a moment of doubt” and “said to be
made from wool from the sheep Odysseus’ men used to trick the Cyclops.”
Unfortunately however the New Yorker’s storyline does come to something of an
abrupt halt upon the arrival of Superman and the revelation that the Man of
Steel, as well as the other Leaguers, are under the control of the Joker.
Admittedly Batman’s perilous predicament in the
presence of a homicidal Big Blue is a fitting enough cliff-hanger for any comic
book. But the American author’s tale ends so unexpectedly, and literally only midway through the magazine, as to
arguably jar any reader immediately out of their reverie. Something which is
made all the worse by the blatant difference in style (and to an extent
quality) of the two vastly contrasting illustrators, with Capullo’s mesmerizingly detailed
pencilling preceding the more cartoony,
though equally as enjoyable, sketching of Kelley Jones in “The Pale Man”.
Quibbles as to the contents' layout aside, what is perhaps most perturbing about this magazine however, at least from Snyder’s perspective, has to be just how well written James Tynion
IV’s script actually is. Based upon the premise of five escaped Arkham patients
visiting one of their institution’s doctors at home in order to tell her a
handful of fables about the Joker, the GLAAD Media Awards nominee’s story
easily surpasses this title’s main story with its spine-tingling suspense and
claustrophobic atmosphere.
The "Monsters Of The Month" variant cover art of "BATMAN" No. 35 by Brian Stelfreeze |
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