FUTURE IMPERFECT No. 5, November 2015 |
It is relatively easy to see why according to “Diamond
Comic Distributors” this fifth and final issue of Peter David’s “Secret Wars”
tie-in didn’t manage to make the Top Fifty selling titles of September 2015,
and actually saw itself being significantly outsold by the likes of “Invader
Zim” by independent publisher “Oni Press”. For whilst this twenty-page
periodical’s narrative does (eventually) focus upon a titanic confrontation
between the “version of the Hulk from a distant future who has become corrupted
by power” and Battleworld’s God Emperor, its eventual conclusion doubtless had
the vast majority of the book’s 32,926 strong audience feeling the American
author’s plot had disappointingly badly cheated them.
Indeed it is hard to fathom just precisely what the
Huxtur Award-winner must have been thinking when he decided to pen an elderly chair-bound
Rick Jones as “the ‘Ancient One’ guarding the Destroyer” and have the Maestro easily
defeat Victor von Doom courtesy of the additional energy George Perez’s
co-creation attained by donning the enchanted armour. Presumably the
Maryland-born writer later felt likewise, as having had Dystopia’s Baron
obliterate his opponent with “a rather powerful disintegration beam” in order
to become “the new ruler of the world” and “god”, the magazine’s final
few panels dwell upon the fact the entire battle had actually been nothing more
than an illusion and that a suddenly human-sized Bruce Banner will now simply
stand before the Asgardian super-weapon “until he dies.”
Admittedly David’s ‘punch-up’ between two of the Marvel
Universe’s greatest villains genuinely provides some memorable moments as the
two megalomaniacs exchange a series of breathtakingly punishing blows. But
whilst this brawl is as impressively paced as cheering on Doctor Doom is
disconcerting, there is a palpable sense of betrayal when the comic reveals the
events to all be nothing more than a grand deception; “He wished to defeat
Doom. It gave him that wish.”
Mercifully however, Greg Land’s awesome artwork does make
good on his cover illustration’s promise that the Maestro’s highly anticipated
conflict with his “true overlord” will be sensationally drawn. In fact it is
hard to find fault with any of the “Uncanny X-Men” penciller’s drawings within
this comic book, especially once battle commences and both combatants set upon
one another with all the fury which they can muster.
Writer: Peter David, Artist: Greg Land, and Inker Jay Leisten |
Oh no, what a disappointment to go with the it was all a dream ending. He might as well just woken up in the shower with Bobby Ewing coming in!
ReplyDeleteA pity as this looked like it had real potential too.
Cheers Roger.
Indeed Roger, this was a bitterly disappointing 'cheat' conclusion imho. Though that's a great "Dallas" reference you've used. I still think though that this title may be worth picking up as a tpb just for the punch-up artwork :-)
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