BATTLESTAR GALACTICA: TWILIGHT COMMAND No. 1, February 2019 |
Admittedly, “Dynamite Entertainment” does try to warn any bibliophiles haplessly perusing this publication within their local comic book store, that “the events of this issue take place concurrently with Season 3 of Battlestar Galactica.” But such a short summary as to where the mini-series sits within the “Sci-Fi Channel” show’s timeline is hardly going to make much sense to anyone unfamiliar with Admiral Adama’s shockingly sudden abandonment of his people on New Caprica, and resultantly any newcomers to this title will debatably spend most of their time understandably wondering just what in Kobol is going on as a scruffy-looking, one-eyed Executive Officer Tigh rushes headlong to Chief Petty Officer Tyrol’s tent before being ominously carted off by the Cylons…
Lamentably, Moreci provides little elucidation as to the background behind this story during its telling either, despite his narrative containing plenty of opportunities to do so, such as Galen’s heated night-time conversation with Samuel T. Anders when the pair squander three entire pages talking about how little they know about the mysterious Commander Flores, or the Colonial pair’s subsequent introductory meeting with the rebellion’s grim-faced leader. Indeed, with the exception of an early scene which was clearly penned simply to reinforce Saul’s fiercely loyal insistence that the Galactica’s commanding officer will return to rescue his people at some point, this entire adventure is debatably devoid of any meaningful exposition concerning its prior build-up whatsoever.
Similarly as unsuccessful are some of Breno Tamura’s breakdowns, which whilst excellent at depicting the awkward unnaturalness of the robotic cylons, seem rather disagreeably scratchy when used to depict facial expressions when in close-up. Packed full of dynamic gun-play and buckets of bullets, there can be no denying that the “Dragão Brasil Magazine” debutant can pencil some astoundingly energetic panels, yet his questionably inconsistent handling of human anatomy persistently jars the eye throughout this publication.
Writer: Michael Moreci, Artist: Breno Tamura, and Colorist: Dijjo Lima |
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