GHOSTBUSTERS: YEAR ONE No. 3, February 2020 |
Regrettably, this does mean that the early part of this publication is rather conversationally cumbersome and word heavy. Nice as it is to see the thoughts and feelings of those ‘close’ to the doctor of parapsychology, as well as watch the “quick-thinking man” repeatedly elude the questions of the female novelist, there is debatably only so much dialogue-driven banter a bibliophile can take until they grow as frustrated as Morales becomes with Venkman’s incredibly annoying evasiveness; “You’re not bringing this up because you don’t want to talk about your academic career are you?”
Happily however, once the Minnesotan writer turns his attention to the Boys in Gray slugging “it out with a pretty pesky poltergeist” at “the fashionable dance club, The Rose”, this comic’s entire pace and feel changes for the better. Laugh out loud moments, such as Ray Stantz being forced to dance the conga in mid-air by a spectral spirit, and Egon Spengler’s own boogie woogie moves really help make the entire sequence memorable, to the point where you can almost hear the late Casey Kasem’s narration from the motion picture in the background.
Also helping to make this comic capture both the eye and imagination are the lavish layouts by artist Dan Schoening and colorist Luis Delgado. It is evident from all the sumptuously detailed panels set within the multiple strobe-lit auditorium of the discotheque just why “Dapper Dan” apparently “spends fourteen hours on average on each page”, and equally as easy to sympathise with the animator when he explained in January 2020 that upon seeing he had to draw an entire club of people dancing that his hand was hurting “before I even start[ed] doing it.”
Written by: Erik Burnham, Art by: Dan Schoening, and Colors by: Luis Antonio Delgado |
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