THE AMAZING SPIDER-MAN No. 17, May 2019 |
To begin with the titular character is once again spurred on by his hypersensitive feelings of guilt, having previously failed to prevent Taskmaster and Black Ant from abducting young Billy Connors “right in the middle of Times Square.” Admittedly, Web-head wasn’t physically present to prevent the reptilian boy’s actual kidnapping, but in a similar leap of “Bacon’s Law” logic which saw the titular character previously feel responsible for his Uncle Ben’s tragic death, the costumed crimefighter tears himself up internally having had the two mercenaries “dead to rights the other day.”
Equally as absorbing is the American author’s use of Parker being “sick out of my mind” with a burning fever so as to rationalise just why someone with the “proportional strength of a spider" is eventually bested by Kraven the Hunter’s son. Ordinarily, this book’s audience would probably expect the super-strong Wall-crawler to defeat the clone utilising only a modicum of his special abilities. However, additionally affected by an hallucinogenic chemical gas alongside his “puking – my – guts – out” illness, Spider-Man is portrayed as being the slight underdog, adding plenty of pulse-pounding tension to his bout of pugilism which otherwise wouldn’t have existed.
Rounding off this splendidly over-sized, thirty-page publication is Humberto Ramos’ marvellous pencilling which adds plenty of gravitas to some of this comic’s more outlandish elements, such as Central Park somehow being filled with many of Marvel Universe’s most infamous villains during the dead of night. In addition, the Mexican artist’s depiction of Spidey eventually falling beneath the fists of Kravinoff’s younger self, beautifully inked by Victor Olazaba, is easily worth the cover price of this comic book alone.
Writer: Nick Spencer, Penciler: Humbertos Ramos, and Inker: Victor Olazaba |
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