SAVAGE SWORD OF CONAN No. 10, December 2019 |
To begin with, the former editor-in-chief immediately throws the reader straight into the action, by having “the Western dog” apparently fight for his life in a local tavern confrontation with Guptar the Argossean. Staged simply to allow the “bronzed barbarian” to earn some additional coin, courtesy of him holding back until certain bets are waged, the match predictably results in a win for the titular character, but also pleasantly progresses the plot by securing for him a job as one of two bodyguards for Lady Serra.
This is a neat way of providing any perusing bibliophile with a modicum of pulse-pounding pugilism straight from the start, whilst simultaneously setting up the main narrative of the comic, and is slightly reminiscent of Howard’s opening to "The Tower of the Elephant" in some ways. Perhaps unsurprisingly considering the technique's success, Thomas also apparently takes a page out of “The Pool of the Black One” later on, by having Conan unwisely challenge the cowardly Pakim to become chief Hetman of the Afghulis, and subsequently get knocked unconscious by some of the less-honourable tribesmen for his trouble; “The Hill Code is well-known far and wide. It says a Hetman must fight any man who challenges him before the assembled tribe.”
Unexpectedly therefore, perhaps this book’s sole drawback are some of Alan Davis’ sketches, which whilst predominantly up to Englishman’s usual high standard don’t debatably suit the look and feel of the Hyborian Age. True, the Corby-born illustrator’s depictions of Serra and "her hired swordsman, Zubair" are prodigiously pencilled, but for some reason the rather round, cartoonish style of the “Captain Britain” artist doesn’t appear to quite suit the square-jawed, grim-faced Cimmerian in several of the comic's panels.
Writer: Roy Thomas, Penciler: Alan Davis, and Inker: Cam Smith |
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