CAPTAIN CARTER No. 5, October 2022 |
Thankfully however, none of these resemblances ruin a well-told story, which not only quite merrily motors through its narrative at a steadfast pace. But also enjoyably provides all this title’s numerous characters with something fairly significant to do. Such penmanship really helps imbue this book’s ‘super-team’ with a genuine sense of cooperation and family, even down to Division Chief Lance Hunter, who once convinced of the Prime Minister’s vampirism, becomes a pivot part of Lizzie Braddock’s plan to infiltrate a facility specifically “designed to hold super-powered prisoners.”
Furthermore, many bibliophiles will probably appreciate this publication’s central formidably-strong protagonist using her brains as opposed to her brawn to outwit her centuries-old opponent. Setting aside the debate as to whether the undead Harry Williams would be able to be captured by a modern-day digital camera, the notion of a man elected to high government through the power of the press being subsequently exposed as a blood-drinking monster by the self-same media is rather ingenious, and definitely adds an element of poetic justice to John Falsworth’s fiery downfall.
Illustrator Marika Cresta should also be given some considerable praise for helping make Issue Five of “Captain Carter” a memorable finale for “the recipient of the Super Soldier Serum.” There’s an incredible amount of dialogue and action to cram into this comic’s interior, and alongside color artist Matt Milla, the Ringo Award-Nominee does an excellent job in holding the attention with her prodigious pencilling. Indeed, one of the highlights of this book is debatably the shockingly sudden demise of Lady Jacqueline Falsworth, courtesy of a stake through the chest by Harley Davis.
Writer: Jamie McKelvie, Artist: Marika Cresta, and Color Artist: Matt Milla |
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