Tuesday, 30 August 2022

DC Vs. Vampires #8 - DC Comics

DC VS. VAMPIRES No. 8, October 2022
Admirably living up to its pre-publication blurb of continuing “this bloodthirsty series”, James Tynion IV and Matthew Rosenberg’s script for Issue Eight of “DC Vs. Vampires” certainly tries to cover a lot of different plot-threads within this twenty-two-page periodical. However, whilst the writing duo are enthrallingly successful with both the Birds of Prey heading back “into the heart of the vampire kingdom”, and Supergirl’s action-packed crossing of “a vampire-infested ocean”, Green Arrow’s mission is disappointingly barely touched upon, with the authors instead disconcertingly depicting Oliver Queen squandering eighteen panels simply arguing with his partner, Black Canary; “They’ve got blood farms, Dinah. Humans kept in cages to feed on. I can’t let that go. You can’t ask me to.”

Fortunately though, this dialogue driven interlude is easily forgiven considering the quality of the penmanship surrounding it, most notably Kara Zor-El’s terrifying trek towards Australia and her subsequent battle with a sea full of homicidal fish-people. Indeed, the Atlantean’s attack upon the Kryptonian’s small-sized fishing trawler is debatably the highlight of this comic, as both John Henry Irons and Jayna demonstrate just how truly desperate the super-heroes are by quite literally tearing their scaly foes apart with their bare hands.

Similarly as gruesome is this publication’s portrayal of Jason Blood’s apparent massacre at the House of Mystery, and a badly wounded John Constantine’s miraculous escape. Admittedly, much of this harrowing confrontation sadly occurs ‘off-screen’, just as the world’s “leading expert on the occult and demonology” politely introduces himself to a startled Phantom Stranger, Spectre and Doctor Fate. But Otto Schmidt’s marvellous pencilling of an open-mouthed Barbara Gordon when she discovers Hellblazer’s mutilated form in the battle’s aftermath speaks a thousand words as to the fiery carnage which must have taken place inside the Kentucky-based residency.

Seemingly sat on the side-lines, repeatedly throwing a bucketful of gore over the printed proceedings in every other scene, is this book’s artistic team of Schmidt and Daniele Di Nicuolo, who together genuinely appear to completely splatter anyone in ‘claret’ whenever the opportunity arises. In fact, bibliophiles will probably be hard-pressed to recollect a title sporting so much evisceration and disembowelment this side of a Teen Plus reader rating.

The regular cover art of "DC VS. VAMPIRES" #8 by Guillem March

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