THE ETHER No. 1, June 2017 |
In addition, the masked vigilante’s prickly relationship with the local constabulary proves a major hook straight from the get-go, with the “freak” quickly being established as a necessary investigative tool for Detective Wallace whenever his enquiries require someone “to go where the police fear to tread.” This history between the two parties provides the pair with some significant depth of backstory, and becomes even more absorbing when the the “self-appointed doer of justice" acknowledges having previously injured Constable Jones’ arm when the officer was once foolish enough to try to arrest them.
Comparably as captivating is Garvey’s wonderfully brutal exploration of London’s notorious underworld and the seedy, money-making nature of its immoral inhabitants. Disreputable film maker Teddy Sherman’s shakedown is particularly well-paced as the mysteriously masked “psycho” manages to obtain a few answers to their questions before having to leap out the criminal’s high-rise office window. But even the low-life Ziggy’s interrogation in a rain-drenched alleyway simply bristles with restrained aggression as the main protagonist threatens and muscles their way through their mark’s protestations to snag a lead or two.
Of course, what really catches the reader’s eye with this publication are the colourful and realistically pencilled layouts of Dizevez. The digital artist does a first-rate job of imbuing the Ether with all the quirkiness an audience might expect from so bizarre a custodian of the Big Smoke’s streets, especially whenever they need to execute an excruciatingly painful blow or arm twist upon an opponent. Perhaps this book’s biggest visual hook though is in the adventure’s big reveal two-thirds of the way through, when the illustrator clearly seeks inspiration in the likeness of a readily recognisable British thespian when it comes to drawing the Ether's blonde-haired secret identity.
The regular cover of "THE ETHER" #1 by Dizevez |
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