UNION JACK THE RIPPER: BLOOD HUNT No. 2, August 2024 |
Similarly as well-penned though is arguably the Bristol-born author’s use of poor Edward, who was so tragically chomped to death in this mini-series’ previous instalment. Now undeniably one of the Nosferatu, the fearsomely fanged amateur actor adds tons of flair to this publication’s twenty-page long proceedings, courtesy of some well hammed-up Shakespearean quotes and repartee. Indeed, in some ways it is actually a pity the grotesque ghoul is ultimately torn asunder by Joey’s grisly team-mate, as the blood-drinking brood leader had all the hallmarks of a truly memorable long-term nemesis.
Delightfully, Scott isn’t shy on giving plenty of this comic’s supporting cast some welcome spotlight either, with Alan bravely battling to his last breath so as to buy young Judy some valuable time to get to safety. So noble a sacrifice is genuinely quite moving, and additionally provides the aforementioned Edward with the opportunity to double-down as the ‘villain of the hour’ when he nonchalantly stomps the already dying hero to death; “’Fraid you don’t get any choice in the matter, Matey-Jim.”
Enthusiastically immersing the audience in all this gratuitous, physical mutilation, are Walker’s layouts, which alongside Craig Yeung’s inks and Java Tartaglia’s colours, completely bombard each and every bibliophile’s senses from all angles. True, some of the action sequences, such as Bulldog literally having his eyes gouged out, might be a bit too much for the faint-hearted. But there can be no doubting the lightning fast speed which the vampires can move at, or the deadliness of a well-swung sword blade as it eviscerates any torso foolish enough to get in its way.
The regular cover art to "UNION JACK THE RIPPER: BLOOD HUNT" #2 by Rod Reis |
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