CONAN THE BARBARIAN No. 12, July 2024 |
Instead, the Canadian writer simply seems to hope his audience will completely throw any semblance of logical-thinking to one side, and just allow themselves to be caught up in his utterly unconvincing central plot which sees Conan single-handedly defeat an all-powerful undead Lich King, thanks in part to being invisible.!?! To make things even more unbelievable though, Kull of Atlantis also appears to simply shrug off being almost severed in half by Thulsa Doom’s deadly blade so that “many hours later” the Atlantean ruler is able to climb “forth from a subhuman grave” with Brule and happily return to his distant throne room.
Such moments genuinely test any willingness to suspend disbelief and arguably portray the Cimmerian and his friends as the indomitable defier of unsurmountable odds which so many pieces of amateur fan-fiction fall foul of. Indeed, even at the book’s end, when the barbarian is shown riding away from Shadizar as fast as his stolen horse will let him, there’s no explanation given as to why the adventurer suddenly appears completely unharmed from his previously self-inflicted Seppuku..? Or for that matter, how he came to rid himself of the zombie-like frenzy which had previously turned the thief into a one-man killing machine, and goaded him into brutally hacking many a hapless innocent into bloody pieces in pursuit of his previously-pawned Pictish sword..?
Much more compelling than its script is this publication’s sumptuous layouts by artist Rob De La Torre and colorist Diego Rodriguez, who together weave such a terrific-looking flashback sequence for Doom that it debatably looks as if it's been snatched straight out from a classic edition of “The Savage Sword of Conan”. Furthermore, the pair’s visual depiction of Kathulos’ skeletal form is utterly mesmerising, with the mighty wizard dominating every panel he is found in, regardless of whether he can actually see his massively-muscled opponent or not.
The regular cover art of "CONAN THE BARBARIAN" #12 by Jeffrey Alan Love |
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