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STAR WARS: INQUISITORS No. 3, November 2024 |
Equally as well written though, is the pair’s dialogue with Darth Vader on his Imperial I-class Star Destroyer, in which they reveal their plan to draw Tensu Run out of hiding by poisoning his local community with “a pheromone that drives one to madness”. This entire verbal exchange absolutely drips with solemnity, and makes it crystal clear that despite the two killers being unpleasantly over-confident in their assassination abilities, they are also still in dire need of acquiring the approval of their black-armoured master.
However, all this palpable intrigue and tension is then arguably ruined by the American screenwriter’s handling of the celebrated Jedi Knight, who having decided to establish an old-fashioned training temple somewhere along the Outer Rim, suddenly chooses to visit the Deadlands’ outdoor market just as the Inquisitors attack that very street with their deadly pollen. So utterly unconvincing a contrivance seriously smacks of sluggish storytelling, and debatably ruins any momentum that should have been gained whilst depicting the two opposing sides of the Force finally squaring up against one another.
Likewise, there’s plenty to enjoy and perhaps dislike about Ramon Rosanas’ artwork too. The vast bulk of the Eisner Awards nominee’s panels are top notch, with his clean-lined style making Vader’s aforementioned meeting with his two protégés suitably stiff and formal. But the decision to dress Run and his lightsaber-carrying colleague Pan Delesec in near identical hooded cloaks may well confuse many a reader during the commotion of their close combat against Seventh and Ninth Sister, to the point where the duel requires a couple of re-reads so as to better understand who is doing what.
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The regular cover art of "STAR WARS: INQUISITORS" #3 by Nick Bradshaw & Neeraj Menon |
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