Solomon Kane: The Serpent Ring #3 - Titan Comics

SOLOMON KANE: THE SERPENT RING No. 3, July 2025

Captivatingly transporting his audience to the “dark edge of the Kingdom of Ndongo”, and a deadly rendezvous with an ancient cult of devilish Serpent people, Patrick Zircher’s penmanship for Issue Three of “Solomon Kane: The Serpent Ring” is absolutely top notch. Indeed, the American author’s handling of the Early Seventeenth-Century Puritan is so entrancing, that many within this mini-series’ audience probably felt as if Robert E. Howard himself was whispering the storyline in his ear, and the Dayton-born writer simply capturing what he heard on paper; “But proceed. Wisdom, like the wind, cometh from all quarters.”

Spearheading these successes has to be the persistent aura of danger surrounding the comic’s quite considerably-sized cast, with little love shown between many of the adventurers – most especially Mbondu, who despite living on the dangerous lands upon which Rolando Zarza now seeks his fortune, is given no respect for his expert knowledge whatsoever. In addition, the shape-shifting Father Goncallo is repeatedly shown to be as treacherous as the snake deity he worships, and any onlooker is never at ease whenever the false priest is pencilled disconcertingly lurking in a panel’s shadows.

However, by far the book’s biggest achievements has to be its two action-packed set-pieces, which whilst rather short, are still crammed full of tense desperation. In fact, this twenty-three page periodical’s plot does a grand job in keeping its readers constantly on their toes worrying as to which characters will actually survive long enough to reach beyond the Stones of Pungo and Andongo. Such uncertainty genuinely is palpable, particularly after the rogue Nico Cassini is pencilled painfully taking an arrow straight in the arm, and Kane himself is left for dead after being bitten on the shoulder by one of the High Priestess Sha-Kabet’s fearsomely-fanged pet reptiles.

Bewitchingly, Zircher also provides ample examples of his prodigiousness as a top tier illustrator. There is simply so much to admire within this publication’s layouts, from the adrenalin almost dripping off of the adventurers as they fend off a ferocious volley from a tribe of natives with their muskets, through to the crystal clear hatred in Mbondu’s eyes whenever he casts a glance at the truly despicable Zarza. And few bibliophiles will surely forget the artist's truly awesome sketch of Diamanta and Solomon seeing their first African elephant up close and personal.

Writer/Artist: Patrick Zircher, and Colorists: Pete Pantazis & Patrick Zircher

Uncanny X-Men #11 - Marvel Comics

UNCANNY X-MEN No. 11, May 2025

As opening instalments go for a supposed "milestone X-Men crossover", Gail Simone’s narrative for “Echoes Of Madness” certainly seems to start out well with a shocking act of despicable treachery aboard the Shi’ar escort cruiser C’rylari by Navigator Elilan. But disappointingly, once poor Professor Xaiver is heavily sedated in his Graymalkin Prison cell, and his telepathic link to Xandra Neramani resultantly broken, this comic’s plot somewhat fatiguingly focuses upon (yet) another farmyard training session for the Outliers; “You go in the semicircle. And you stay on your feet. Three full minutes.” 

Admittedly, this sequence initially provides a bit of fun for the audience to enjoy as Nightcrawler quickly demonstrates to “little Calico” that the rookie mutant needs to always expect the unexpected, and the increasingly haughty Ransom taunts Wolverine over his 'old age'. However, the entire mood to so innocent-sounding a set-piece is suddenly turned upon its head by Rogue uncharacteristically commanding Gambit to take down one of the pupils “hard.” This bizarre order comes completely out of the blue, and is supposed to suggest that the team’s current leader is taking her responsibilities seriously.

Yet poor Sofia’s brush with a devastating kinetic energy-filled playing card probably just caused many a reader to scratch their heads in disbelief as to just how potentially injuring one of the X-Men’s proteges is apparently an example of strong governance. Indeed, at the very start of the exercise Jubilee even refers to the workout as being a “game”. So just why Anna Marie LeBeau gets all agitated as to the children’s playful attitude towards the challenge, and therefore questions whether they could survive a genuine threat to their existence, is a bit baffling – particularly as the quartet have literally just come back from besting a pack of killer Sentinel dogs at a local shopping precinct.

Furthermore, Remy’s smart-mouthed personality appears to have been completely sucked away by the American author, with the former Thieves Guild member acting more like a sycophant robot to his wife’s incongruous instructions, than the flamboyant, swashbuckling adventurer most fans will favour. Of particular note is how coldly he obeys Rogue’s directive to harm one of their wards, with artist Javier Garron pencilling the Cajun from New Orleans almost nonchalantly choosing his unsuspecting target, and then cold-heartedly flicking his deadly missile towards them without a trace of emotion upon his dead-pan face.

The regular cover art to "UNCANNY X-MEN" #11 by David Marquez & Matthew Wilson

DC Vs. Vampires: World War V #9 - DC Comics

DC VS. VAMPIRES: WORLD WAR V No. 9, July 2025

For those readers eagerly anticipating “John Constantine [coming] to the rescue” of Earth’s last surviving super-heroes, as promised by this comic’s solicitation synopsis, Matthew Rosenberg’s script for Issue Nine of “DC Vs Vampires: World War V” must have been a major disappointment. True, the twenty-four page periodical certainly contains its fair share of adrenalin-fuelled, large-scale battle action. But Hellblazer doesn’t even feature in this book, with its American author instead relying upon the likes of the New Gods of New Genesis to try and save Frankenstein’s forces on Dinosaur Island.

Furthermore, Darkseid’s need to take the primeval peninsula seemingly makes no sense whatsoever, with Granny Goodness claiming it’s the only place on the planet from which the tyrant can launch an attack upon Aquaman’s deep-sea domain due to the extra-terrestrials apparently having a limited ability to travel underwater. Considering that the Lord of Apokolips has already ventured from another entirely different dimension, this sudden snag is pretty unpalatable, and strongly suggests that it is simply an unconvincing excuse for the New Yorker to casually cause the parademons to fight somewhere other than the bland-looking wintry wastes of America.

Similarly as off-putting though, is probably this publication’s overinflated cast of characters - thanks to the mini-series’ regulars being joined by all manner of minor crime-fighters, anti-heroes and desperados. The introduction of the Highfather and his band of arrogant deities is debatably bad enough to get a handle on, considering just how bizarre (and dislikeable) their holier-than-thou personalities are. However, Rosenberg soon then ramps things up by a factor of ten by also hurling Detective Chimp and the impressively large Dinosaur Island army at his readers, along with Darkseid’s Deep Six, the Atlantean Vampires and a handful of other never-before-seen costumed vigilantes.

Far more satisfying an experience is the second instalment to “Wildcat: Going The Distance” by Shane McCarthy. Subtly sketched by Fabio Veras, this disturbingly dark conclusion to Ted Grant’s search for his son is incredibly engrossing, and shows a tender side to the “long-time member of the Justice Society of America” which is seldom seen. In addition, the back-up tale still somehow manages to end on something of a high note, despite the former heavyweight boxer losing much of his reason for living in a world where vampires supposedly rule both the night and day.

The regular cover art of "DC VS. VAMPIRES: WORLD WAR V" #9 by Otto Schmidt

Uncanny X-Men #10 - Marvel Comics

UNCANNY X-MEN No. 10, April 2025

Containing plenty of pulse-pounding punch-ups, and an enthrallingly tense political nightmare for the highly dislikeable Corina Ellis, it’s arguably easy to see just why this particular issue of “Uncanny X-Men” was the fifteenth best-selling comic of February 2025 – at least according to “ICv2.Com”. In fact, some bibliophiles may well have expected “Off The Leash” to have done even better, as Gail Simone’s script manages to deliver a nail-biting battle between the Outliers and “a new, vicious and unstoppable anti-mutant weapon initiative” without just resorting to the rookie super-heroes unthinkingly battering their robot opponents into submission.

This decision to have the mutant recruits outwit their dog-based Sentinel foes really lies at the heart of this book’s successful storytelling, with Jitter’s decision to imbue herself with all the knowledge and wisdom of a combat medic causing the ‘X-Babies’ to work together as a team, rather than just’ smack the snot’ out of Larry Trask’s latest creations. Furthermore, the American author generates a real, palpable sense of danger for the potential X-Men recruits, with all four of the adolescents coming within a whisker of being savagely slaughtered by their assailants’ “chainsaw-like teeth.”

Enjoyably though, a good portion of the pleasure readers should experience from this twenty-page periodical’s plot doesn’t come from the aforementioned sense-shattering shenanigans either. But is somewhat surprisingly generated by the Warden of Graymalkin Prison, who completely loses her mind over the unauthorised assassination attempt, and furiously berates the likes of Captain Erza, Jerry Greentree and Trask when she realises the strike has “gone and made them [the Outliers] all heroes” with both the press and general public. Indeed, Ellis’ rapid meltdown may well be the highlight of this comic for some within its audience, considering how conceitedly calm and unpleasantly confident the malicious Doctor ordinarily is; “I want him running in the Danger Room by morning. Punitive mode.”

Also well worth a mention is Andrei Bressan, who along with colour artist Matthew Wilson, does a solid job in sketching all the highs and lows of Sofia Yong’s trip to the local shopping mall. The Brazilian illustrator is clearly capable of drawing some incredibly tender moments, such as Miss Deneer graciously thanking Nightcrawler for saving her daughter’s life, as well as create this comic’s more intense action sequences, and definitely helps add to an already stressed situation by prodigiously pencilling all the combatants with some highly emotional facial expressions.

The regular cover art to "UNCANNY X-MEN" #10 by David Marquez & Matthew Wilson

Star Wars: Inquisitors #3 - Marvel Comics

STAR WARS: INQUISITORS No. 3, November 2024

This “third issue of the 2024 canon comic miniseries” probably landed rather well with Star Wars fans due to its atmospheric opening sequence aboard a casino cruiser orbiting the planet Glee Anselm, and the twenty-page periodical’s subsequent scenes shadowing Seventh and Ninth Sisters’ determined hunt for a so-called ‘Jedi legend’. Furthermore, Rodney Barnes’ insights into just how this unique, Sith-influenced partnership somehow successfully operates as a pair is fairly well-penned, with the disconcerting duo proving themselves to be as cold-heartedly canny and downright murderous, as they are a bantering, almost comedic couple; “You said that sort of information was of value. How much is your other hand worth..?”

Equally as well written though, is the pair’s dialogue with Darth Vader on his Imperial I-class Star Destroyer, in which they reveal their plan to draw Tensu Run out of hiding by poisoning his local community with “a pheromone that drives one to madness”. This entire verbal exchange absolutely drips with solemnity, and makes it crystal clear that despite the two killers being unpleasantly over-confident in their assassination abilities, they are also still in dire need of acquiring the approval of their black-armoured master.

However, all this palpable intrigue and tension is then arguably ruined by the American screenwriter’s handling of the celebrated Jedi Knight, who having decided to establish an old-fashioned training temple somewhere along the Outer Rim, suddenly chooses to visit the Deadlands’ outdoor market just as the Inquisitors attack that very street with their deadly pollen. So utterly unconvincing a contrivance seriously smacks of sluggish storytelling, and debatably ruins any momentum that should have been gained whilst depicting the two opposing sides of the Force finally squaring up against one another.

Likewise, there’s plenty to enjoy and perhaps dislike about Ramon Rosanas’ artwork too. The vast bulk of the Eisner Awards nominee’s panels are top notch, with his clean-lined style making Vader’s aforementioned meeting with his two protégés suitably stiff and formal. But the decision to dress Run and his lightsaber-carrying colleague Pan Delesec in near identical hooded cloaks may well confuse many a reader during the commotion of their close combat against Seventh and Ninth Sister, to the point where the duel requires a couple of re-reads so as to better understand who is doing what.

The regular cover art of "STAR WARS: INQUISITORS" #3 by Nick Bradshaw & Neeraj Menon

Uncanny X-Men #9 - Marvel Comics

UNCANNY X-MEN No. 9, March 2025

Arguably containing some of the most blood-crazed, stone-cold killer Sentinels seen within the Marvel Universe, Gail Simone’s opening action sequence for Issue Nine of “Uncanny X-Men” is certainly not for any faint-hearted fans. However, despite such an incredibly grisly introduction to Larry Trask’s cybernetically-enhanced stray dogs, the bulk of this twenty-page book is disappointingly just filled full of word-heavy conversations between the titular cast and the young, predominantly unlikeable mutants under their guardianship; “Each one of y’alls gonna take one Outlier to mentor. Get close. But be the adult, not their buddy.”

Indeed, in many ways it seems as if the Oregon-born writer simply needed some storyline with which to pad out the majority of this comic, so decided upon a straightforward ‘pen-by-numbers’ sub-plot which allowed her to individually pair the central cast up with a fledgling character, and then uninspiringly have the duo discuss their future plans together. Such a technique certainly helps fill the sheet space. But it also makes the entire ensemble feel more like an understandably unused storyline from Chris Claremont’s run on the “New Mutants” during the 1980s - in which the fledgling X-Babies impatiently rebel against their well-meaning, highly-experienced tutors.

Thankfully though, things definitely do hot back up once Ransom, Calico, Jitter and Deathdream take a trip to the local shopping mall, and are almost immediately attacked by an unauthorised deployment of the aforementioned Wolfpack. This savage scrap is as enthralling as it is ferociously fought. Albeit the American author’s determination to depict Valentin Correa as some sort of major big hitter by him referencing that he's previously “knocked down Wolverine” with a single punch is rather clunkily-delivered, and shows a disagreeably arrogant side to the super-strong student.

Proficiently pencilling all of this comic’s highs and lows is Andrei Bressan, who undeniably adds an element of gratuitous body horror to its pulse-pounding proceedings which has seldom been seen before. In addition, the deadliness of the Bloodhounds attack upon the unsuspecting Outliers is extremely well-sketched, with many a bibliophile doubtless able to hear the disconcerting clank of the homicidal canines’ robotic frames on the plaza’s tiled floor as they encircle their intended target.

The regular cover art to "UNCANNY X-MEN" #9 by David Marquez & Matthew Wilson

The Incredible Hulk [2023] #24 - Marvel Comics

THE INCREDIBLE HULK No. 24, June 2025

Initially appearing to tell a tense, claustrophobic tale as to how Charlie Tidwell might be able to finally control “the pelt of the mother of all skinwalkers” which she now tragically wears, Phillip Kennedy Johnson’s narrative for Issue Twenty Four of “Incredible Hulk” is certainly packed full of surprises, and should definitely catch a fair few within its audience on their back foot. Sure, the twenty-page periodical’s plot doesn’t live up to its early promise of depicting Clea Strange guiding the headstrong adolescent through some sort of magical ritual so as to rid the girl of her occasional disagreeable lust for human flesh. But its various twists and turns should still provide most bibliophiles with a thoroughly entertaining trip down into the depth of the Sanctum Sanctorum.

Furthermore, when the House of Lycana’s werewolves do eventually launch their ambush, it comes completely out of the blue, and many a reader will doubtless feel a little bit upset for Bruce Banner as the good Doctor suddenly faces a truly grisly death, rather than the peaceful hour of quiet away from his super-strong alter-ego which he had been hoping for. Indeed, the American Eisner-nominated author genuinely makes the scientist’s plight palpably pathetic, and resultantly creates a lot more dynamic energy for this comic’s storyline when the titular character finally emerges to seek his revenge much later on in the book; “Idiots! You were not to consume him!!! Even dismembered the Fractured Son cannot die!”

Quite possibly this yarn’s sole disappointment therefore lies in there being no actual coverage of Stephen Strange’s wife fighting off Lycana’s ferocious minions prior to Tidwell’s visit. Of course, such an insight would clearly ruin the sheer shock suffered later on when it becomes clear that the Clea Charlie is talking to is really a demonic cultist. However, once this startling revelation has occurred there arguably would have been little harm in showing the sorceress unsuccessfully battling her home’s invaders by way of a flashback sequence or two, rather than simply have one of the devils verbally recount the Faltine hybrid’s defeat..?

Just as slightly irritating is some of Kev Walker’s artwork too, which seems to slightly ‘go off the rails’ for the odd panel showing the Hulk’s grotesque transformation back from a pile of gory, previously consumed entrails. This entire scene is understandably not for the faint-hearted, so the British illustrator’s occasional pencilling mishap when it comes to the Founding Avenger’s cartoony facial expression somewhat jars with the overall seriousness of the situation.

The regular cover art of "THE INCREDIBLE HULK" #24 by Nic Klein