INJECTION No. 2, June 2015 |
So grand is the scope of this “ongoing series” by “Image
Comics” that it is arguably abundantly clear that twenty pages is simply not
enough room for writer Warren Ellis to house even a single instalment of his
narrative. Not and have it make a satisfying and understandable read at any
rate. For Issue Two of “Injection” contains so many characters and highbrow
concepts that it is plainly impossible for the English author to do any of them
much justice when they are all so tightly crammed within so restricting a
publication.
As a result much of this issue simply and disappointingly
provides the reader with little more than a fleeting glimpse of most of the
title’s supporting cast. Indeed the vast majority of the five (former) members
of the Cross-Cultural Contamination Unit appear for but a handful of panels at
best, as the Eagle Award-winner desperately tries to simultaneously progress
each character’s very personal journey back to the side of Professor Maria
Kilbride.
Fortunately however Ellis does provide Simeon Winters, a
slick-looking well-dressed British Foreign Office serviceman who “kills foreign
people”, with abundant ‘screen time’ and as a result ‘injects’ this mysterious
yet lack-lustre storyline with some much needed action, suspense and
excitement. In fact the spy’s somewhat botched assassination mission within the
“Ambassade De Gran Bretagne” building is both humorously written by the
Essex-born Englishman and scintillatingly well-drawn by Declan Shalvey.
Admittedly a lot of the action is strikingly similar to
the creative duo’s work on the “Marvel Worldwide” 2014 superhero comic book “Moon
Knight”, even down to the bald bearded three-piece suited killer’s murderous
use of a handy telescopic baton. But when the drama is this utterly insane and
breathlessly violent, with Winters being mercilessly hurled into furniture and
ceilings by a “huge” bodyguard before becoming involved in a vicious
knife-fight, such a petty qualm can easily be forgiven. Perhaps even doubly so when the
introduction of the ‘gun-carrying strategist’ clearly seems to have galvanised the Irishman’s pencilling, provided colorist Jordie Bellaire with
the opportunity to rather impressively use different palettes to 'highlight' bygone-based scenes
and finally allowed the reader to immerse themselves in Ellis’ re-energised writing.
The 'Haunted' variant cover art of "INJECTION" No. 2 by Declan Shalvey |
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