MARVEL TWO-IN-ONE No. 36, February 1978 |
Disappointingly
a rather water-logged Benjamin Grimm sums up the quality of this seventeen-page
nonsensical narrative by Editor Marv Wolfman in the book’s opening panel by
exclaiming “Wotta revoltin’ development this is!” For “A Stretch In Time” not
only concludes the Thing’s two-part prehistoric adventure with “Skull the Slayer and his
band of time-lost travellers” but also appears to show the two-time Jack Kirby
Award-winner’s writing at its most unimaginative.
Indeed the
Brooklyn-born writer appears to be so uninspired by his own storyline that having
extensively depicted the super-heroes outrunning an especially carnivorous
Tyrannosaurus Rex in order to try and reach “the plane that brought us here” in
the previous issue, he abruptly has them both find “the charred ruins of the
Lockheed Hercules lying in a jungle plain” and unbelievably return "to Ben
Grimm’s experimental jet” with "the batteries and parts they need” within
the space of a single text box. Considering the group were last seen wearily
dragging themselves ashore having fallen down “a blamed waterfall” following an
encounter with some ludicrously fanged sauropods, it is inconceivable that the
rest of their exploration of this antediluvian world was "uneventful".
At the very least they must surely have encountered more of the primordial
fauna…
Instead, less
than halfway through the comic, Wolfman miraculously has “the anxious five” fly
their hastily repaired “super-sonic jet… up into the scarlet skies” and
immediately travel back through the Bermuda Triangle to modern-day Miami. Such
woeful lazy insipid writing by the co-creator of Blade is both incomprehensible
and unforgivable. Doubly so when it means that the Shazam Award-winner then has
to populate the rest of the magazine with a tired, poorly thought out battle
sequence between the Jaguar Priest and a semi-powerless Reed Richards; as Jeff
shouts “I don’t believe it…”
Fortunately such
a bland apathetic adventure is at least given some life due to the remarkable
pencilling of Ernie Chan. The Filipino-American artist’s illustrations,
especially his dynamic portrayal of Mister Fantastic and the “lumpy orange
gorilla” battling a flock of giant-sized pterosaurs above Cape Canaveral, are
as wonderfully vigorous and vibrant as his blending of flying lizard with
space-flight technology is historically inaccurate.
Writer/Editor: Marv Wolfman, Artist: Ernie Chan and Colorist: Michele Wolfman |
Super heroes and dinosaurs I heard there was a miniature game about that ;)
ReplyDeleteAs well we both know Simon :-) Fingers crossed that perhaps "Super-hero Dinosaur Zombie Apocalypse" will do a not-Skull the Slayer at some point.
DeleteI did tell you this wasn't the best issue of "two in one" shame as it also appears to be the way they wrapped up the whole "Skull" saga, and I would have liked to have seen a more auspicious final instalment myself. Shame really.
ReplyDeleteCheers Roger.
Indeed you did Roger and sadly you were absolutely spot on as well. A disappointing end to "Skull The Slayer"...
Delete