UBER No. 7, October 2013 |
As an instalment which “brings our current time in the
Pacific theatre to a close” it is perfectly understandable for creator Kieron
Gillen to want Issue Seven of “Uber” to be a thrilling, actioned-packed affair,
absolutely crammed with wartime engagements, firefights and the famous
‘suicidal’ frontal infantry attacks which the Japanese Army seemed to so
frequently employ during the last years of the Second World War. But alongside
this carousel of combat the former computer games journalist disappointingly
also incorporates enough unnecessary profanities and vulgar speeches into
his narrative to have the 1954 regulators of the Comics Code Authority turning
in their graves for many moons to come.
The greater part of this disagreeable dialogue is due to
the presence of Eammon O’Connor’s foul-mouthed buddy “charmer” Chuck, an offensively
obnoxious soldier who seems to unpleasantly verbally relate the everyday
happenings of the war to various biological bowel movements. Indeed this
character’s contribution to the comic is so distasteful that it arguably comes
as something of a relief when, upon the turn of page, he’s cut off mid-sentence
by a halo disruption field partially removing his head; “Heh. Yeah. Guys-- Just
try to screa--”
Fortunately the vast majority of this book’s twenty two pages actually concentrate upon the exploits of a trio of somewhat softly-spoken Japanese
supermen, rather than wallow in the swearing and grisly innuendo of the
American trenches… And as a result the reader is able to gain some
insight into the motivations of these Miyoko warriors and their absolute
dedication to the ‘will of their Emperor’, as well as explore the final fatal effects
of a “fatigued” Uber.
Gillen's script also provides artist Caanan White with plenty of
opportunities to draw some truly grisly and bloody wartime casualties. In fact
the African-American illustrator arguably depicts his most gory bodily
mutilations yet published, as the three surviving super-powered saboteurs on
Okinawa quite literally tear apart a squad of hapless United States Marines who
happen to be foolish enough to try and trap the ‘panzermensch’ in a cave. Arms, legs, decapitated heads, torsos and unrecognisable chunks of human flesh are all tossed unceremoniously into the air as the Japanese Miyoko
counter-attack their foes and the fast-falling American soldiers “scrabble
around” for cover.
The variant cover art of "UBER" No. 7 by Caanan White |
If I wasn't such an avid follower of this series your review would push all the right buttons to make me want to track it down. Profanity bothers me about as much as excessive violence and gore, which is, not at all. War is a very stressful business and one of the easiest ways to relief stress is to use profane language. I understand that and I accept that. Also, a lack of education or manners will also make a person more prone to swearing. Circumstances being what they are in this story I'd be more shocked if the front line soldiers didn't swear. Just my two pence for what it's worth.
ReplyDeleteNo problems at all Bryan. Profanities in comics simply aren't my cup of tea that's all... and certainly not to such excess as Gillen allows in this issue. Purely personal taste though I accept and it won;t stop me continuing to buy this colourful series ;-)
DeleteFair comment, Simon. I almost never swear myself and I don't really approve of it in real life, but when it comes to works of fiction, be it books, comics, film or TV, it doesn't bother me. Go figure!
DeleteYou're clearly a complicated fellow Bryan, which is probably what makes you so interesting and engaging a fellow blogger :-) I have no problem with bad language when its funny or emphasises something. Sadly I thought a lot though in this comic was neither.
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