MOON KNIGHT No. 12, April 2015 |
As the concluding instalment to a scintillating story-arc
which arguably started in some ways with this title’s debut edition and the
first appearance of Governor Adrian Warsame’s daughter, Issue Twelve of “Moon
Knight” is a lamentably actionless, dialogue-heavy disappointment which seems
to increasingly focus more upon the ‘frustrations’ of the superhero’s
psychologist and her inept bittersweet courtship of Khonsu than it does the
titular character’s return to the favourable side of his moon god. Indeed once
the Egyptian deity has somehow spared a battered and bruised Marc Spector from
plummeting to his death at “terminal velocity”, this comic’s narrative almost
exclusively concerns itself with the doctor’s twisted torture of General Lom
and the ultimate failure of Elisa’s plan to convince the former African despot
to tell her where he moved the “hundreds of millions in looted gold and
treasure” which “her father amassed”.
Admittedly the tense, claustrophobic and brutal interrogation
sequence of an incapacitated chairbound military tyrant is especially
well-written by Brian Wood and not only satisfactorily explains many of Doctor
Warsame’s murderous machinations, but additionally provides quite the surprise
in revealing her to be the daughter of a previous dictator “installed in 1968
by the Danish colonial warlords.” An origin which is a far cry from the “spin”
of her being a “child brutalized in the bush”.
However as finales go, simply having the psychopathic
physician revert back to “a poor little Horn of Africa girl again” and be
defeated by a single well-thrown half-moon throwing dart is rather
underwhelming. Especially when you consider how successfully manipulative the
Akiman has been in the past and just what she has cost Moon Knight in order for
him to defeat her.
Infinitely more successful is the quite wonderful artwork
of Greg Smallwood, who despite the sedentary nature of the script, somehow
manages to put a lot of energy and emotion into the characters he
depicts. The freelance illustrator’s drawings of Spector being rescued from the
icy waters of Norway by a fisherman is especially impressive, and just
incredibly well-coloured by Jordie Bellaire.
Yet it is the American artist’s facial intensity of Warsame, as she descends into a savage temper and madness at Lom’s stubborn
refusal to submit, where the Kansas-based penciller really impresses. Initially
quite open-faced, Smallwood increasingly portrays Elisa with a furrowed brow,
narrowing eyes and grinding teeth until he reaches the point where the woman is
obviously seething with rage as she repeatedly clubs the helpless General about
the head with her pistol.
Writer: Brian Wood, Artist: Greg Smallwood, and Color Art: Jordie Bellaire |
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