SKULL THE SLAYER No. 6, July 1976 |
Finally ridding himself of his predecessors’
controversial notion that “the untouched world of the prehistoric past” within
which Jim Scully finds himself trapped is actually populated by robots and
extra-terrestrial governed time-travelling towers, Bill Mantlo’s storyline for Issue
Six of “Skull The Slayer” settles into an enjoyable romp ‘down river’ which
seems far more in keeping with series creator Marv Wolfman’s original vision
for the comic book. Indeed once the Black Knight automaton pinions Slitherogue
to a castle wall through the belly with his great sword and the alien peevishly
activates the self-destruct to his technologically advanced citadel, the plot
soon leaves such foolish fancies far behind and instead begins to build a
compelling storyline based upon the titular character’s jungle survival savvy
from his military training in Guatemala and Vietnam.
Admittedly the Eagle Award-winner’s narrative isn’t
entirely free of its own contrivances however, as the introduction of Corporal
Lancer and the bullish Senator ‘Stoneface’ Turner “fifteen hundred miles” from
where the antediluvian survivors’ plane crashed “somewhere off Bermuda”
attests. This potentially interesting ‘modern-day’ interlude, presumably
designed to introduce a subplot the title’s future cancellation would never see
explored, was clearly written in order to reacquaint the magazine’s audience
with how the publication started courtesy of a six-panel summary piece. But just why
a United States congressman would be on board a naval vessel so significantly far
from where his son’s plane disappeared in "the Devil's Triangle" makes no sense
whatsoever and is disconcertingly co-incidental in the extreme.
Fortunately Mantlo soon gets things back on track by
depicting the ex-soldier and his friends facing a canoe packed full of
heavily-armed Inca warriors on a river teeming with carnivorous killer fish.
This suspenseful sequence proves a genuinely pulse-pounding read and culminates
with the super-strong Scully dynamically besting an ichthyosaur armed with
little more than a hunting blade. The co-creator of Rocket Raccoon even finds time
during all this action for Doctor Raymond Corey to finally settle his
differences with the “great white hunter” and step away from some of the
physicist’s previously distasteful prejudicial rhetoric; Welcome back, great
black egghead! Believe it or not -- I was actually starting to miss you!”
Sadly “Swamp!” is though disappointingly let down by some
of Sal Buscema and Steve Gan’s artwork. The duo’s imaginative depictions of the
Slayer battling the large marine reptile whilst his companions ferociously
tackle the waterway’s blood-thirsty natives are wonderfully dynamical and full
of energy. Yet when it comes to the sedentary moments within the text, such as
the close-ups of Jim warming to a grateful scientist who “tries smiling for the
first time in his life”, then the pencilling appears crude and awkwardly inert.
Writer: Bill Mantlo, and Artists: Sal Buscema & Steve Gan |
You know I really am going to have to get into getting some of these issues, though I'll probably end up just buying the graphic novel off of Ebay at some point.
ReplyDeleteNice review as always, Cheers Roger.
Roger, this has been a bit of an up'n'down ride tbh. But we're into the final stretch and I really think overall this has been a great ride. I for one will genuinely be sad when it ends.
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