INJECTION No. 6, January 2016 |
“The next chapter in the series”, Issue Six of “Injection” exclusively
focuses upon Vivek Headland, one of the “five actual geniuses… [who] created an
alien artificial intelligence in order to make the 21st Century
better and stranger” and undoubtedly unsettled it’s 13,153 strong audience in
January 2016 with its disconcerting depiction of “a case involving money,
ghosts, sex and the correct kitchen preparation of human meat.” Indeed despite positively
believing that “any reader could come in at” this particular edition “and come
away with an ‘issue one’-like reading experience”, Warren Ellis seems to have
been equally as determined to make this twenty-page periodical’s narrative as disquieting
as possible by starting it with the Anglo-Indian consulting detective undergoing an eccentric morning routine of
having his tea in an antechamber walled with nothing but television screens
displaying world news.
Having established that the New York-based private investigator is idiosyncratic
in his daily habits, as well as utterly “bored”, the graphic novelist then provides
an equally alarming insight into the background of the rich man’s butler, Red.
This rather hard-nosed ex-mercenary, who rather rudely gesticulates at his well-spoken
employer behind closed doors just because he’d threatened to blow the servant
up if he got the contents of a sandwich wrong, was supposedly rescued from a
former affiliation intent upon murdering him “just for staying alive this long
after the failure of your client’s business” and strangely seems to feature
quite prominently on account of being the ‘gag man’ of the script.
Household staff expositions aside the majority of this comic book’s
storyline is actually taken up with Headland’s initial interview of his latest
client, wealthy investor John Van Der Zee, and then an unnerving investigation
into how someone from a local eatery managed to send Vivek “a sliced human
bicep” which formerly belonged to the son of the “giant of corporate finance.”
This sudden and ghoulish plot-twist is made all the more disagreeably unpalatable
by the protagonist’s nonchalant admission to his cook that he immediately
recognised the taste of the ham in his sandwich on account of already “know[ing]
what human meat tastes like.”; “A full education is crucial to a complete life,
Chef.”
Quite delightfully Declan Shalvey’s artwork for this cannibalistic chronicle
proves just as captivating as Ellis’ writing, for the Irish illustrator not
only depicts the recipient of “the criminal food order” as an authoritative
Sherlock Holmes lookalike. But populates some of his well-rendered, oft-times detailed
panels, with surreal touches such as having Headland walking through a plan of
the investigator’s own home in order to help orientate the reader or depicting all
the world's tiny details which Vivek notices via a series of small-framed negative
images.
The regular cover art of "INJECTION" No. 6 by Declan Shalvey |
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