DAREDEVIL No. 15.1, July 2015 |
Selling a respectable 28,919 copies in May 2015, at least
according to “Diamond Comic Distributors”, this rather incongruous one-shot anthology
celebrating “the life and times of Daredevil - Fifty years in the making” not
only provides Marc Guggenheim with the chance to script a tale about the
costumed crime-fighter set during his early ‘yellow and black’ days. But also
gives long-time series artist Chris Samnee the opportunity to deliver “his
first solo writing assignment” by ensuring that the super-hero thwarts a sinister
scheme of Diablo’s to turn New York’s salt into a drug which will “give all its
recipients exactly what they crave.”
Sadly for those Hornhead followers hoping such a collaborative
comic would transport them back to the Sixties era of Stan Lee and Gene Colan, the
story “Worlds Collide” is doubtless something of a disappointment. Peter Krause’s rather pedestrian-looking artwork is at best just
about negotiable due to the Minnesota University graduate’s bland style of pencilling.
Whilst the nineteen-pager’s rather predictable narrative, as the rookie blind
lawyer defends a murderer who he apprehended as Daredevil and unsurprisingly
discovers that the “shooter” he ‘socked on the jaw’ was actually an innocent
man, is hardly a ground-breaking adventure.
Admittedly Gruggenheim’s script does eventually improve
when the inexperienced crime-fighter unwisely chooses to confront the real
killers whilst they’re inside a storage locker filled with super-villain cast-off
ordnance such as the Ring Master’s hat, Doc Ock’s tentacles and “the Shocker’s
gauntlet.” However even this moment of dramatic tension is short-lived as despite
“still [being] new at this” the sightless vigilante swiftly overpowers the two
men with a single throw of his baton; “I don’t want any trouble.”
Fortunately “Chasing The Devil” on the other hand is a
rather enjoyable, if somewhat tongue-in-cheek, romp through the shafts of “the
Syracuse Salt Mine” and features a rare ‘Modern Age’ appearance of the much
maligned and undervalued “thorn in the side of the Fantastic Four” Diablo.
Clearly penned in order to compliment Chris Samnee’s considerable drawing talents,
this simple story gets straight down to business by having the “friend in the
red pyjamas” overhear of the ninth century alchemist’s diabolical plans as they’re
broadcast to a passing police car. A flurry of fists later and the “big red
buffon” has both foiled the drug-dealing aspirations of Jack Kirby’s ‘corny’ co-creation
and given his ‘ghost-writer’ Foggy Nelson another chapter for Murdock’s
autobiography.
The regular cover art of "DAREDEVIL" No. 15.1 by Chris Samnee and Matthew Wilson |
No comments:
Post a Comment