LANDO No. 5, December 2015 |
The script to Issue Five of “Lando” brings a very noticeable
change to this mini-series’ usually somewhat cavalier atmosphere, as the
smart-mouthed space-faring gambler’s almost blasé personality is abruptly replaced
firstly with that of a serious cold-blooded killer, and then later as an
apologetic, even remorseful, chancer who realises that his “time for cunning
and guile” may well have finally come to an end having cost his “long-time
cohort” Lobot their humanity. Indeed once Chanath Cha sets her plan of “blowing
up this ship” into motion there really isn’t a great deal of humour to found anywhere
within this publication’s remaining pages, and even Calrissian’s habitual witticisms
are kept to a minimum.
This surprisingly sudden dramatic shift in tone does wonders
for the quality of Charles Soule’s writing, and genuinely makes it hard for the
reader to anticipate which character is going to live or die as the tale
unfolds. Such tangible tension is especially noticeable once Lando and “Emperor
Palpatine’s hand-picked bounty hunter” ‘pair off’ against the “corrupted… elite
warriors Aleksin and Pavel”, and Sava Korin Pers is mercilessly dispatched with
a lightsaber despite the “antiquity specialist” changing her allegiance to the
Sith. This almost nonchalant precipitous slaying of one of the title’s main
cast is rather disconcerting and results in each subsequent death increasing
the narrative’s tension quite palpably panel by nerve-wracking panel; “It’s
time to be selfish. You do know we’ll need to kill them all.”
Sadly the Milwaukee-born author’s storyline does still struggle
towards the end of this concluding instalment however, with the Stan Lee Excelsior
Award-winner turning Lobot into little more than a mute zombie simply because
he plugs himself into the Imperial luxury yacht’s interface and turns “the…
escape… pods… back on”. So depressingly fantastical a fate seems rather
contrived and in some ways makes this five-issue long adventure feel as if it
should have focussed centrally upon Calrissian’s heroic companion and his
tragic lobotomization, rather than seemingly add it to the end of the tale as a
mere bolt-on.
Alex Maleev’s artwork is also disappointingly poor
throughout this comic, with Chanath Cha and Lando both appearing as little more
than inconsistent stiff-looking figures whose facial features worryingly distort
from one picture to another. Most disheartening though has to be the Bulgarian
illustrator’s apparent inability to breathe any sort of animated life in to
his drawings, with the wooden malformed arm movements of this book’s primary villains
as they wield their lightsabers being particularly poor.
Writer: Charles Soule, Artist: Alex Maleev, and Colors: Paul Mounts |
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