MARVEL TWO-IN-ONE No. 43, September 1978 |
In many ways “The Day The World
Winds Down” is a fairly typical example of storytelling “in the mighty Marvel
manner” of the Late Seventies. For not only does this seventeen-page periodical
start with a lengthy montage as to the origin of the issue’s super-villain,
Victorius, “a humble researcher toiling to recreate the Super-soldier serum
that made… Captain America”. But its narrative then predominantly consists of
little more than the title’s main protagonists battling it out with their
opponents, before the adventure is actually resolved more through the use of
the heroes’ brains than brawn.
Indeed in something of a role
reversal it is actually Captain America who somewhat bizarrely reverts to
simply duking it out with the “reborn” Victor Conrad. Whilst it’s left to Ben
Grimm, now ‘just’ a normal being once again, that gets to reason with Jude, the
Entropic Man and convince him that the arguably benign monster’s “coming was
ill-timed” as Mankind doesn’t want to
give up its existence yet; “I know life ain’t a picnic -- But it’s still the
best game in town!”
Despite following this
well-tested formula for ‘success’ however, Ralph Macchio’s writing is disappointingly still even more contrived than usual for a “Marvel Comics” publication of this era and
it genuinely feels that the New Yorker’s storyline was purely manufactured
simply to have Steve Rogers engage in a fist-fight with a second-rate replica
of himself. Why else, having seized control of the Cosmic Cube and already
used its formidable power to “reform the remains of Yagzan” back from the dead,
would Victorius then leave the device unattended, disrobe down to his ‘combat
costume’ and tackle the Golden Age legend single-handedly?
Captain America also behaves
entirely out of character throughout this issue, first clumsily silencing the
Thing because he supposedly wants to hear the former AIM scientist’s backstory,
and then later setting aside his shield due to “the First Avenger” apparently believing
that “It’s time for a little lesson in unarmed combat techniques” to be given
to one who wields the Cosmic Cube. Even the inclusion of the Man-Thing would
appear to have been an afterthought, with the “empathic, humanoid creature”
simply doing nothing within the adventure than shamble up to where Conrad left
AIM’s miraculous invention and touch it. Hardly action enough to warrant top
billing upon the cover of “Marvel Two-In-One”…
Fortunately such weaknesses to this tale of “Death in the Everglades” are easily forgotten courtesy of some early artwork by the Eagle Award-winning
John Byrne. The British-born American illustrator’s pencilling of “Wing-Head”
whilst he punches and kicks Victorius throughout the swamp is as dynamically
drawn as any bibliophile could want. Though dishearteningly it would appear that
printing deadlines got the better of the Englishman as some of the panels
suggest a ‘friendly’ hand helped out on the final finished product.
Writer: Ralph Macchio, Artists: John Byrne and Friends, and Colorist: Phil Rachelson |
Yep. I agree this is not a classic!
ReplyDeleteCheers Roger.
Indeed not, Roger. But still a nice example of John Byrne's early work nonetheless, and it was good to see Grimm using his brain for a change :-)
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