MARVEL ZOMBIES No. 3, October 2015 |
Despite this third part of Elsa Bloodstone’s “Journey
Into Misery” containing some extremely “recognisable [“Marvel Worldwide”]
characters reimagined as decomposing cerebravores” and at times portraying more
zed-killing action than even a “Shield Section Commander” can stomach, it is
quite possible that many of this title's (declining) 34,629 strong audience
failed to find Simon Spurrier’s narrative an entirely satisfactory read owing
to its rather tiring wordiness. Indeed for large swathes of the twenty-page
periodical little actually occurs apart from Ulysses’ daughter conversing with
either a captive Deadpool, whose brain the zombies have been consuming “every
day for two years, since they nabbed” the Merc with a Mouth “offa the Shield”,
or the mysterious “little munchkin” who has accompanied the Monster Hunter
throughout her ‘pilgrimage’.
Much of this dialogue is undeniably necessary in order
for the former “BBC” art director to finally start answering some of the many
questions his storyline has raised, such as the identity of the bandaged ghoul
who has been fervently following her. But it is also used to explain, in some
significant detail, just how Elsa’s relationship with her famous father came to an ignoble end and the Bloodgem-empowered immortal finally died. These
flashback sequences, whilst morbidly interesting, are continually used by the
British novelist to break-up the comic’s action and as a result often frustratingly
interrupt an otherwise enthralling series of dynamically-charged panels.
Just as cumbersome is Spurrier’s rationalisation as to
why Mystique, the Constrictor and Crossfire, amongst several others, are
intelligent zombies. It makes some sort of logical sense that now the
flesh-eaters have “extra smarts” they are able to ration themselves to “a
sliver” of Deadpool’s brain every day in order help stave off “the hunger”. But
just how did the ravenous Undead make such a discovery in the first place when
ordinarily their gut reaction is to simply consume the entirety of their prey
at one sitting?
Fortunately in many ways, Kev Walker’s tremendous artwork
more than makes up for any deficiencies found within this issue’s storyline. In
fact some of the wonderful zombified cameos the Leeds-based illustrator depicts
are arguably worth the cover price alone; especially those of the Mole Man
rising from the depths in front of a determined “Purrrincess Presumptuousness” and
then later a cave-dwelling Morbius, who receives a lethal head-butt for his
troubles; “Bleh!”
Writer: Simon Spurrier, Artist: Kev Walker, and Color Artists: Guru-eFX |
It's all looking good so far and I've seen nothing in your reviews to put me off buying this series as a TPB.
ReplyDeleteDelighted to hear it Bryan. This wasn't the next issue in the series, imho, as it was a bit too talky. But hopefully the artwork speaks for itself, and the cliffhanger is a good one ;-)
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