SECRET WARS No. 5, October 2015 |
Power mad, secretive and sinister, this fifth instalment of
Jonathan Hickman’s “Secret Wars” saga proves to be a real return to form for
“Wizard” magazine’s fourth Greatest Villain of All Time, with the South
Carolina-born writer portraying the Latverian sorcerer at arguably his
most despicably evil ever. Whether feigning grief over the death of a friend he
himself murdered or stooping so low as to blatantly threaten his ‘own’ infant
daughter when she dares question his motivation, Victor Von Doom has rarely been
depicted as being so thoroughly abhorrent and masterfully manipulative. Though
considering his reputation as the loving, caring God of “Battleworld” is at
stake, it is easy to see why the incredibly ambitious ‘deity’ is so readily
willing to kill even those closest to him without a moment’s thought.
Disappointingly however, having gone to such great lengths
in order to establish to this issue’s 204,416 readers just how duplicitous
and vengeful the armoured Emperor can be, the American author then fails to actually provide the dastardly antagonist with anything interesting to do
within the comic’s remaining narrative, and instead simply has the disfigured scientist exchange profound witticisms
with an ‘imprisoned’ Molecular Man.
Admittedly this eight-page long
conversational-piece is somewhat crucial to this series’ overarching storyline,
as it supposedly provides a comprehensible explanation as to how Jack Kirby’s
co-creation was so fantastically empowered by the “omnipotent” Beyonders in the
first place. But considering just how promising the start of this comic book
was, what with Doom’s insincere grief at Stephen Strange’s demise, and contrived
earnestness in capturing the Sheriff of Agamotto’s killers, the complete lack
of any subsequent action is something of a major let-down; especially when it’s
clear from the book’s ending that some of the members of the Cabal, such as
Thanos and Black Swan, have clearly been up to no good since being teleported
from Victor’s presence.
Quite possibly this periodical’s most enthralling asset is
therefore Hickman’s treatment of Foundation leader, Valeria. Clearly brilliantly
minded despite her obvious youth, the child genius’ considerable curiosity as
to what precisely occurred “out there” to allow “a bunch of bad boys and girls”
to escape “the judgement of God” places Susan Storm’s daughter in a particularly
perilous predicament. One which very quickly starts to make ‘Marvel Girl’
question her Daddy’s explanation as to why Doom didn’t destroy the rebels when
he first encountered them, and the monarch’s motivation for such a fabrication;
“And more than anything else we have to find out what they want. And why it
scares God so badly.”
The regular cover art of "SECRET WARS" No. 5 by Alex Ross |
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