FIRESTORM No. 3, June 1978 |
Featuring the origin of the Nuclear Man’s long-running
adversary Killer Frost, Issue Three of “Firestorm” somewhat disconcertingly
begins by depicting its titular character aggressively harassing “worm”
Clifford Carmichael simply because of all the problems the bespectacled “smart
mouth” has caused the atomic-powered teenager’s alter-ego at High School. Such
unheroic behaviour, exacerbated by Ronnie Raymond’s selfish disregard for
Professor Stein’s urgent appointment at Long Island Military Airbase, initially makes it hard to like Gerry Conway’s co-creation, or appreciate the
supposed “sense of fun” with which the Brooklyn-born writer was apparently trying to
inject into this title after “his years [of frustration] writing Spider-Man”
for “Marvel Comics Group”.
Mercifully though, once the “Nobel Prize winning physicist” arrives
at project Mohole One in the Artic after a “ten hour trip”, this seventeen-page
periodical’s narrative finally starts to settle down and seriously tell the
somewhat tragic tale of Doctor Crystal Frost; one of Stein’s former students
from Hudson University who has fallen in love with her professor after
mistakenly misinterpreting his motives as him “secretly” adoring her.
Admittedly the woman’s ‘psychotic’ passion for her Engineering Physics lecturer
does appear to be somewhat unconvincingly contrived, especially considering the
age difference between the two scientists, as well as the fact that “the Ice
Maiden” has supposedly harboured her intense feelings for such a prolonged
period of time. But even these manufactured motivations are as nothing compared to her transformation into the villainous cold manipulator, courtesy of the scholar inadvertently trapping herself inside a 'Thermofrost Unit' for two hours simply because no-one thought to
build an emergency release for its self-locking door...
Killer Frost’s creation does however seem to help stimulate
Conway’s storyline and what follows is
arguably one of the Edgar Allan Poe Award-nominee’s better scripts concerning a
‘comic book conflict’ during his ten-year tenure exclusively writing for “DC
Comics”. Indeed Firestorm’s battle with Martin’s “scorned lover” depicts a genuinely
classic Bronze Age confrontation as the dual identity super-hero soon realises he won’t beat
his icy adversary just by ‘zapping her’ with his “heat blasts”, and must
instead outwit the chilly murderess into once again becoming imprisoned within the
project’s super-large freezer; “This leads us to one conclusion, Ronald! Killer
Frost needs warmth -- She thrives on it, lives for it! Without it -- she should
be helpless!”
“Kiss Not The Lips Of Killer Frost” additionally proves
to be a rather enticing read as a result of Al Milgrom’s efficiently detailed pencilling,
and dynamically charged action shots. It is also nice to see the Michigan-born
artist giving both Professor Stein and his “dormant persona” plenty of ‘screen
time’ within his breakdowns as opposed to them predominantly focussing upon the
Nuclear Man’s younger, more athletic persona.
Creator/Writer: Gerry Conway, and Co-Creater/Artist: Al Milgrom |
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