THE AMAZING SPIDER-MAN No. 4, February 2016 |
Whilst it is very clear within the narrative for “High
Priority” that “Peter Parker has [undeniably] stepped up” and taken his
“gumption… to new heights” on account of Dan Slott suddenly transforming the
former Daily Bugle photographer into “a globe-spanning entrepreneur”. Similar, rather disconcerting, changes could also be said to have come into being for the Berkeley-born writer’s
“All-New All-Different” incarnation of Aunt May as well.
Indeed the frail, elderly “adoptive mother” originally
conceived by Stan Lee and subsequently published in August
1962, has been almost unrecognisably replaced in this comic book by a ‘fighting
fit’ Nadua charity worker, who seems perfectly at home coordinating the
installation of “water pumps and purification systems”, as well as ensuring a
deprived African village has the “power to run schools and hospitals.” So much
for a supporting cast member whose nephew once feared would actually die of shock “if
she ever learned about his dual identity as Spider-Man.” This humanitarian version of
the ‘infirm’ pensioner is actually quite capable of outrunning a
pumpkin-bombing glider-riding mercenary when the occasion calls for it: “We’re
here to help! Oh, My! I Swear!”
Fortunately any of this title’s 82,066 readers perturbed
by so noticeable an alteration to May Reilly Parker Jameson’s physical capabilities
shouldn’t have dwelt on such a discrepancy for too long though, thanks to this
twenty-one page periodical’s incredible action sequences. Admittedly having
Spidey (Agent of S.H.I.E.L.D.) ‘gunning down’ a host of Green Goblin wannabes
with his state-of-the-art web-jet smacks more like something you’d see within
an issue of “Moon Knight” than one based upon the exploits of your
friendly neighbourhood Web-Slinger. But the Diamond Gem Award-winner soon has
the costumed crime-fighter back on foot athletically dodging explosions and automatic
weapons fire (despite there being “no buildings to swing from and no cover”) once the super-hero's hi-tech ride is brought crashing down to earth.
Equally
as pulse-pounding as Slott’s plot is Giuseppe Camuncoli’s excellent artwork.
The Italian’s incredible attention to detail during the terrorist attack upon
Okiro’s remote settlement, as well S.H.I.E.L.D.’s “co-ordinated strike on enemy
bases around the globe”, imbues his panels with some delightful dynamism. Whilst the former "Superior Spider-Man" penciller's well-animated facial
expressions for Nick Fury when he learns of the Wall-crawler's sudden departure and that the
Zodiac’s Chilean Base is “just sets and props” genuinely seems to breathe life into the frustrated one-eyed Public Director.
Looks good. I suddenly have got the comic bug. I'm currently devouring the knightfall ones.
ReplyDeleteThis is a very different take to the Spider-Man of old, Simon. But is certainly keeping me entertained. "Batman : Knightfall" is essential reading for anyone with "the comic bug" ;-)
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